《长坂坡·赵云 》血战长坂|独胆赵云

王可伟先生国画作品《长坂坡·赵云》2018年创作，画心尺寸：68cm×137cm，未装裱。

血战长坂 独胆赵云

作品介绍

长坂坡的故事出自中国古典名著 三国演义，讲的是一场非常紧张激烈的战斗场面——“长坂坡之战”。当时，刘备被曹操大军追击，在逃亡过程中队伍混乱，家眷和百姓都被冲散。刘备的儿子阿斗（刘禅）也在乱军中失踪。猛将赵云得知主公的儿子丢了，立刻单枪匹马冲入敌阵，在成千上万的曹军中来回冲杀，一边寻找阿斗，一边保护刘备的家人。最终，赵云不仅成功救出阿斗，还一路杀出重围，被后人称为“七进七出”。他的忠诚与勇猛也成为这段故事最精彩的部分。

这幅《长坂坡·赵云》，整体气势非常强，重在“神”而不拘泥于“形”。画面中的赵云眉头紧锁、目光如炬，神情坚毅中带着一丝紧迫感，胸前怀抱着婴儿，表现出在乱军之中奋勇突围、誓死护主的决心。面部刻画不求细腻，却抓住了“英武与冷静并存”的核心气质。

赵云骑马前冲，身体微微前倾，手持长枪横扫而出，形成强烈的动势。战马四蹄腾跃，人与马融为一体，充满速度感与冲击力。画面中墨线飞动，强化了“冲阵厮杀”的紧张氛围，符合“长坂坡独胆救主”的情境。

技法与表现

以水墨为主，略施淡彩（红缨、枪头火焰感尤为醒目），形成视觉焦点。线条多为飞白、枯笔与顿挫用笔，带有明显的书法意味。构图上采取斜势布局，人物与战马呈对角线冲出画面，增强动感整体偏写意，强调气势与节奏，而非细节刻画。这幅画抓住了赵云“勇、猛、忠”的精神核心，用奔放的笔墨把“长坂坡七进七出”的紧张与豪气表现得很到位。

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Mr. Wang Kewei’s Chinese Painting “Changbanpo · Zhao Yun”
Created in 2018
Painting size: 68 cm × 137 cm
Unmounted

Zhao Yun’s Lone Bravery at the Bloody Battle of Changban

Introduction

The story of Changbanpo originates from the Chinese classical novel Romance of the Three Kingdoms. It depicts an intense and dramatic battle scene known as the “Battle of Changban.”

At that time, Liu Bei was being pursued by Cao Cao’s army. During the chaotic retreat, his troops were scattered, along with civilians and family members. Liu Bei’s son, Adou (Liu Shan), was also lost in the turmoil.

Upon learning that his lord’s son was missing, the fierce general Zhao Yun immediately charged alone into the enemy ranks. Fighting his way through thousands of Cao soldiers, he searched for Adou while protecting Liu Bei’s family. In the end, Zhao Yun not only successfully rescued the child but also broke through the encirclement. His feat later became known as “seven charges in and out.” His loyalty and bravery make this episode one of the most celebrated in the story.

This painting, “Changbanpo · Zhao Yun,” possesses a powerful overall presence, emphasizing the “spirit” rather than rigid adherence to form. Zhao Yun is depicted with tightly furrowed brows and piercing eyes, his expression resolute yet carrying a sense of urgency. Holding an infant close to his chest, he embodies determination and courage as he fights through enemy lines to protect his lord.

The facial details are not overly refined, yet they successfully capture the essential qualities of heroism and composure.

Zhao Yun is shown riding forward at full speed, his body leaning slightly ahead as he sweeps his spear outward, creating a strong sense of motion. The warhorse leaps with all four hooves off the ground, merging with the rider into a unified force full of speed and impact. The flowing ink lines heighten the tension of battle, perfectly conveying the scene of “a lone warrior breaking through enemy ranks at Changban.”

Techniques and Expression

The work is primarily executed in ink, with light touches of color. The red tassel and the flame-like tip of the spear serve as striking visual focal points. The lines feature techniques such as “flying white,” dry brushwork, and rhythmic, calligraphic strokes.

The composition adopts a diagonal structure, with the figure and horse thrusting outward across the picture plane, enhancing dynamism. The overall style leans toward freehand expression (xieyi), focusing on momentum and rhythm rather than intricate detail.

This painting captures the core spirit of Zhao Yun—bravery, fierceness, and loyalty—using bold and expressive brushwork to vividly convey the tension and heroism of his legendary “seven charges at Changban.”